2019 composition faculty

 

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Laura Steenberge

Laura Steenberge is a performer and composer in Los Angeles who researches language, the voice, mythology and acoustics. Influenced by folk music, psycholinguistics, acoustics and medieval Byzantine chant, collectively her work is a study of nonsense and the boundaries of knowledge.

A multi-instrumentalist, vocalist and public speaker, Steenberge uses voice, contrabass, viola da gamba, objects, images to create works in traditional and site-specific locations throughout California, including SF MOMA, the Sutro Baths, the Hammer Museum, REDCAT and the Los Angeles County Museum of Art. She holds BAs in music and linguistics from the University of Southern California, an MFA in composer/performer and integrated media from CalArts, and a DMA in music composition from Stanford University. She teaches experimental sound practices at CalArts.

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Steven Snowden

The music of Steven Snowden has been described as “Beguiling… combining force with clarity” (San Francisco Classical Voice), “Wonderfully dynamic” (Interlude Hong Kong), “Rustic, red-blooded” (New Music Box), “Marvelously evocative”, (Cleveland Plain Dealer), and “The most wildly intriguing sight and sound I have experienced at a concert” (The Boston Musical Intelligencer). Writing music for dance, theater, multi-media installations, and the concert stage, his work often deals with concepts of memory, nostalgia, and the cyclic nature of historical events as they pertain to modern society. While his musical influences are deeply rooted in bluegrass, folk, and rock, he utilizes non-traditional techniques and processes to compose works that don’t squarely align with any single genre or style.


A native of the Ozarks countryside, he began studies in music composition in 2002 and received degrees from Missouri State University, University of Colorado at Boulder, and University of Texas at Austin. In 2012-2013 he was a Fulbright Scholar in Portugal, researching the implementation of motion tracking technology as a means to facilitate collaboration between music and dance. In 2013-2014, he was a visiting professor and composer in residence at the Hong Kong University of Science and Technology and is the co-founder/director of the Fast Forward Austin Music Festival.  He currently works as a freelance composer in Boston and is on an eternal quest to make the perfect breakfast taco.